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My name is Daria Ionova./from Russia/Saint-Petersburg/Vaganova Ballet AcademyInstagram : @ionovaworld
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  • 10/11/15--23:42: birdasaurus: via
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    tutu-fangirl:

    Olga Smirnova and Semyon Chudin, Diamonds


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    straightenthoseknees:

    Evgenia Obraztsova and Olga Smirnova.


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    tchaikovskette:

    yoiness:

    Yekaterina Kondaurova and Danila Korsuntsev in George Balanchine’s ballet Serenade

    Danila, my prince


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    aurelie-dupont:

    Amandine Albisson and Mathias Heymann in Teatro dell'Opera di Roma Giselle production

    Photo © Yasuko Kageyama


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    passioneperladanza:

    Anastasia Matvienko, Raymonda

    © Polina Tverdaya


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    pointeshoesecrets:

    Misty Copeland and Steven McRae in Le Corsaire.


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    strechanadi:

    Sarah Lamb, Eric Underwood

    Raven girl

    photo: Dave Morgan


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    kameliendame:

    Rudolf Nureyev, Romeo and Juliet

    Karl Paquette and Héloïse Bourdon

    ph. Hidemi Seto


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    kameliendame:

    Dorothée Gilbert, Mathieu Ganio and other dancers of the Paris Opera Ballet in Nureyev’s the Nutcracker

    ph. Laurent Philippe

    Merry Christmas everyone!!! 🎄🎅🏼🌟 Thank you all for your likes, reblogs and general awesomeness, it’s very much appreciated ❤️ 


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    olivier37:

    Friedemann Vogel - Baki Photography 


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  • 04/03/16--23:54: Photo



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    olivethomas:

    Ballets Russes dancers in an on-stage dance class, 1928


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  • 04/13/16--23:57: 🌸🌸🌸


  • 🌸🌸🌸


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    vaganovaboy:

    Olga Smirnova as Marchesa Sampietri and Semyon Chudin as Prince Federici in “Marco Spada” pas de deux at Dance Open gala 2016. Photos copyright Jack Devant.

    I was lucky enough to see them perform this, and they were absolutely gorgeous. Although I would’ve liked to see them perform something a bit more exciting, this pas de deux showed off how classical and clean they both are. I love how regal Olga is, and Semyon is the perfect partner for her!


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    tall-maja:

    Tanaquil Le Clercq in La Valse, 1951

    The waltz rhythms of Ravel’s La Valse sets Balanchine’s choreography in motion. According to the New York City Ballet website, the mood of the ballet is “superficial gaiety mixed with an uncertain feeling of impending catastrophe.” In the film’s archival footage, Tanny dances the soloist role of a woman who is seduced by the figure of death before falling lifeless to the floor. 


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    lasylphidedubolchoi:

    Anastasia Stashkevich in Bolshoi’s Russian Seasons

    Photo by Damir Yusupov


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    lasylphidedubolchoi:

    Mikhailovsky’s Giselle

    Photo by Nikolai Krusser


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  • 06/21/16--22:34: Photo



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    olivier37:

    Friedemann Vogel - Baki Photography